Vishnu Vaman Shirwadkar

English Translation-  ( Please read the important instructions which are at the bottom before reading the translation.) Vishnu Vam...

English Translation- 

(Please read the important instructions which are at the bottom before reading the translation.)

Vishnu Vaman Shirwadkar

Vishnu Vaman Shirwadkar, (27 February 1912-10 March 1999) was the leading poet, writer, playwright and critic in Marathi language. He wrote the pseudonym of Kusumagraja. They are considered to be important writers in Marathi who are spiritually and socially aware. They describe the bearded jewel of the temple of Saraswati. V. After Khandekar, he was the second literary recipient of Gyanpith award in Marathi literature. His Birthday is celebrated as 'Marathi language day'.

Kusumagraj was born on 27th February in Pune in the year 1212. His original name was Gajanan Ranganath Shirwarkar. Because of his adoption by his uncle Waman Shirwadkar, his name has been changed to Vishnu Vaman Shirwadkar. He completed his education at Nashik. After receiving his Bachelor of Degree, he worked for a short time after writing a script in film business, playing a small role in the film. After this he worked as editor of various newspapers, newspapers, autonomous, Prabhat, Navyug, archer, etc. He was involved in the Satyagraha of the Kalaram temple entrance in 1932. In 1933, he established the 'Dhruv Mandal'. In many social movements, participated in Satyagrahas. In the coming days, he also helped the tribal students of Nashik district to pursue education.

He passed away on March 10, 1999.

Kusumagraj criticized his writing on social injustice and inequality. He received the award for the opinion that "Literary should consider social commitment." He also wrote many plays along with poems. Apart from this, he also handled novels, stories, short stories, and so on.

Literary Thoughts

According to Devanand Sontakke, the literature of Kusumagraj is thus completely proverbial. It has been found in the social think-tank of a social worker. He has co-ordinated the Marathi literature which is stuck in the fight against extremism and social hatred. It is the guidance given by the role of father Maha in the art realm. Kusumagraj, ego, experience, and emotions hold the basic principles of art, their idea is authored by the author. The principle that the ego gives inspiration and momentum to the writer's writing process is authored by the author. The shape of the manifestation shape is defined by the ghat, which means that the principle is relative to art. The principle of supremacy is equitable; If the growth of the author's experience depends on the author's involvement, this principle is socially acceptable. The literature of Kusumagraj is socially acceptable and considers socialism as the backbone, writing writers of different castes, they feel the content of materiality and prosperity. [1]

An important feature of the works of Kusumagraj is that he is authored and socially at the same time. Much of the writer's experience, his independence and his personality are the key to McCullough. The fundamental principle of art does not believe in beauty, ethics, self realization etc. According to him, "ego, experience and imagination are not the only elements of this manuscript, but there are basic principles of man-made art." (Profile, p. 23)

 Kusumagraj says in the opinion of Devanand Sontakke that due to the innovation in art, it is because of the new experience. That is, the concept of innovation of Kusumagrajas is not hythist but intuitive. The writer has to add and accept socialism for the rich and experienced prosperity. Experiences of sages of social life should come in literature. Kusumagraj believes that it is necessary to eradicate patriarchy and ethnicity in social life and literature.

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